Books & Bannock

Covering Indigenous adventures from Wahpole Island to Northern Saskatchewan to the coast of Vancouver, #IndianLovePoems is a poetry collection that delves into the humour and truths of love and lust within Indigenous communities. Sharing stories in search of The One, or even better, that One-Night-Stand, or the opening of boundaries -- can we say medicine wheel -- this collection fearlessly sheds light on the sharing and honesty that comes with discussions of men, women, sex, and relationships, using humour to chat about the complexities of race, culture and intent within relationships.

Based on a viral article, 21 Things You May Not Know About the Indian Act is the essential guide to understanding the legal document and its repercussion on generations of Indigenous Peoples, written by a leading cultural sensitivity trainer. Since its creation in 1876, the Indian Act has shaped, controlled, and constrained the lives and opportunities of Indigenous Peoples, and is at the root of many enduring stereotypes. Bob Joseph’s book comes at a key time in the reconciliation process, when awareness from both Indigenous and non-Indigenous communities is at a crescendo.

A canonical figure in Native American art history, Alex Janvier has maintained a 50-year artistic practice that fuses aboriginal traditions with modernist abstraction. Influenced by Kandinsky and Klee, his murals and works on paper, canvas and linen explore the Dene geo-cultural landscape of his northern Alberta home with a combination of Indigenous iconography and contemporary realities within a personal aesthetic that is universal in reach: his works reference an ancient past, recent Indigenous history, and his own experience of colonization.

In this vital and incisive work, bestselling and award-winning author Tanya Talaga explores the alarming rise of youth suicide in Indigenous communities in Canada and beyond. From Northern Ontario to Nunavut, Norway, Brazil, Australia, and the United States, the Indigenous experience in colonized nations is startlingly similar and deeply disturbing. It is an experience marked by the violent separation of Peoples from the land, the separation of families, and the separation of individuals from traditional ways of life -- all of which has culminated in a spiritual separation that has had an enduring impact on generations of Indigenous children.

The stress of competition in the world's top hockey league (NHL), the travel, the media, the homesickness--and the added pressure to hold one's head high as a role model not only for the young people of his hometown of Rankin Inlet but for the culture that had given him the strength and the opportunities to succeed--would have been more than enough to challenge any rookie. But Tootoo faced something far more difficult: the loss of his brother in the year between his draft and his first shift for the Predators. Though he played through it, the tragedy took its inevitable toll. In 2010, Tootoo checked himself into rehab for alcohol addiction. It seemed a promising career had ended too soon. As heir to a cultural legacy that included alcohol, despair, and suicide, Tootoo could also draw on a heritage that could help sustain him.

The novel follows one girl, Martha, from the Cat Lake First Nation in Northern Ontario who is "stolen" from her family at the age of six and flown far away to residential school. She doesn't speak English but is punished for speaking her native language; most terrifying and bewildering, she is also "fed" to the school's attendant priest with an attraction to little girls. Ten long years later, Martha finds her way home again, barely able to speak her native tongue. The memories of abuse at the residential school are so strong that she tries to drown her feelings in drink, and when she gives birth to her beloved son, Spider, he is taken away by Children's Aid to Toronto. In time, she has a baby girl, Raven, whom she decides to leave in the care of her mother while she braves the bewildering strangeness of the big city to find her son and bring him home.

In The Back of the Turtle, Gabriel returns to Smoke River, the reserve where his mother grew up and to which she returned with Gabriel’s sister. The reserve is deserted after an environmental disaster killed the population, including Gabriel’s family, and the wildlife. Gabriel, a brilliant scientist working for Domidion, created GreenSweep, and indirectly led to the crisis. Now he has come to see the damage and to kill himself in the sea. But as he prepares to let the water take him, he sees a young girl in the waves. Plunging in, he saves her, and soon is saving others. Who are these people with their long black hair and almond eyes who have fallen from the sky?

Fierce, menacing, and mysterious, badgers have fascinated humans as living animals, abstract symbols, or commercial resources for thousands of years--often to their detriment. With their reputation for determined self-defense, they have been brutalized by hunters and sportsmen, while their association with the mythic underworld has made them idealized symbols of earth-based wisdom and their burrowing habits have resulted in their widespread persecution as pests. In this highly illustrated book, Daniel Heath Justice provides the first global cultural history of the badger in over thirty years.

Raw and honest, Bearskin Diary gives voice to a generation of First Nations women who have always been silenced, at a time when movements like Idle No More call for a national inquiry into the missing and murdered Aboriginal women. Carol Daniels adds an important perspective to the Canadian literary landscape.

From the award-winning author of Love Medicine comes a vibrant tale of abandonment and sexual obsession, jealousy and unstinting love--a 40-year saga brimming with original and powerful characters.

Bent Box is the first collection of poetry by Lee Maracle. The poems speak volumes of emotion ranging from quiet desperation to bitter anger to the depths of love. Maracle adds a rich blend of prose and poetry to her impressive list of fiction and autobiographical titles which include Bobbi Lee: Indian Rebel, I Am Woman, Ravensong, Sundogs and her latest novel, Will's Garden.

This astounding novel fully deserves to be called a saga. It begins a thousand years ago in the time of the Vikings in Newfoundland. It is crammed with incidents of war and peace, with fights to the death and long nights of lovemaking, and with accounts of the rise of local clan chiefs and the silent fall of great distant empires. Out of the mists of the past it sweeps forward eight hundred years, to the lonely death of the last of the Beothuk. The Beothuk, of course, were the original native people of Newfoundland, and thus the first North American natives encountered by European sailors.

Bernice Meetoos, a Cree woman, leaves her home in Northern Alberta following tragedy and travels to Gibsons, BC. She is on something of a vision quest, seeking to understand the messages from The Frugal Gourmet (one of the only television shows available on CBC North) that come to her in her dreams. She is also driven by the leftover teenaged desire to meet Pat Johns, who played Jesse on The Beachcombers, because he is, as she says, a working, healthy Indian man. Bernice heads for Molly’s Reach to find answers but they are not the ones she expected. With the arrival in Gibsons of her Auntie Val and her cousin Skinny Freda, Bernice finds the strength to face the past and draw the lessons from her dreams that she was never fully taught in life.

Blood Sports is the tough, gritty story of the brutal cat-and-mouse relationship between two cousins — Tom and Jeremy Bauer — set in Vancouver’s Downtown East Side. Tom, a young man, hardly innocent, has been caught up over the years in Jeremy’s world of drugs, extortion, and prostitutes, while Jeremy, vindictive, vicious, either protects Tom or uses him, but always controls him. Added to the mix is Paulie, a junkie two years clean and Tom’s girlfriend, and also the mother of his daughter. This lethal triangle shifts when word gets out Tom has been talking to the police, and men from the past who have a lot to lose reappear. Suddenly Tom and Paulie are pawns in a much larger game, with everything at stake.

When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break -- a barren field on an isolated strip of land outside her house -- she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim -- police, family, and friends -- tell their personal stories leading up to that fateful night. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg's North End is exposed. A powerful intergenerational family saga, The Break showcases Vermette's abundant writing talent and positions her as an exciting new voice in Canadian literature.

Mink is a witness, a shape shifter, compelled to follow the story that has ensnared Celia and her village, on the West coast of Vancouver Island in Nu:Chahlnuth territory. Celia is a seer who - despite being convinced she's a little "off" - must heal her village with the assistance of her sister, her mother and father, and her nephews. While mink is visiting, a double-headed sea serpent falls off the house front during a fierce storm. The old snake, ostracized from the village decades earlier, has left his terrible influence on Amos, a residential school survivor. Celia's Song relates one Nu:Chahlnuth family's harrowing experiences over several generations, after the brutality, interference, and neglect resulting from contact with Europeans.

Chaos Inside Thunderstorms draws the audience into the centre of the tumultuous political, socio/economical and historical reality of the First Nations experience in Canada today. It is poetic expression that examines leadership, resilience, honour, shame, and love. It examines the issues implicit in the Idle No More Movement and the Truth and Reconciliation conferences. Although the book speaks of age-old themes, it explores them through fresh modern eyes. Eloquent and witty, these poems are power-packed with imagery that uncovers the raw politics of race.

What is happening today between Aboriginals and non-Aboriginals is not about guilt or sympathy or failure or romanticization of the past. It is about citizens' rights. It is about rebuilding relationships that were central to the creation of Canada. These relationships are just as important to its continued existence. The centrality of Aboriginal issues and peoples has the potential to open up a more creative way of imagining ourselves and a more honest narrative for Canada. The Comeback presents a powerful portrait of modern Aboriginal life in Canada. Saul illustrates his arguments by compiling a remarkable selection of letters, speeches and writings by Aboriginal leaders and thinkers, showcasing the extraordinarily rich, moving and stable indigenous point of view across the centuries. 

Verna J. Kirkness grew up on the Fisher River Indian reserve in Manitoba. Her childhood dream to be a teacher set her on a lifelong journey in education as a teacher, counsellor, consultant, and professor. Her simple quest to teach "in a Native way" revolutionized Canadian education policy and practice.Kirkness broke new ground at every turn. As the first cross-cultural consultant for the Manitoba Department of Education Curriculum Branch she made Cree and Ojibway the languages of instruction in several Manitoba schools.

"A gift from the Creator - that is where it all began. The game of lacrosse has been a central element of many Indigenous cultures for centuries, but once non-Indigenous players entered the sport, it became a site of appropriation - then reclamation - of Indigenous identities. Focusing on the history of lacrosse in Indigenous communities from the 1860s to the 1990s, The Creator's Game explores Indigenous-non-Indigenous relations and Indigenous identity formation.

This powerful novel about a woman's self-discovery reinforces Lee Maracle's stature as one of the most important First Nations writers in North America. The novel incorporates an innovative structure - one based on Salish Nation storytelling - to depict the transformation of Marilyn, a First Nations woman who is alienated from her culture, her family, and herself. By discovering her own culture's ways and listening to the natural world, Marilyn begins to heal her deep-rooted hurt and gradually become reconciled with her estranged daughters. Here is a moving work about First Nations people in the modern world, and the importance of courage, truth, and reconciliation.

As the title suggests, this new collection of poetry from Garry Gottfriedson of the Secwepemc (Shuswap) Nation deals with the ways in which the world is deaf to the problems First Nations people face in Canada today. Gottfriedson examines such issues as the Truth and Reconciliation movements as well as the missing and murdered Aboriginal women. The poems focus not only on postcolonial issues but also on First Nations internal problems. Although the book speaks of age-old themes, it explores them through fresh modern eyes offering thought-provoking and engaging perspectives. Eloquent and witty, these poems are power-packed with imagery that uncovers the raw politics of race.

Dream Wheels is a story about change. Moving from the Wild West Shows of the late 1880s to the National Finals Rodeo in Las Vegas to a lush valley in the mountains, it tells the story of a people’s journey, a family’s vision, a man’s reawakening, a woman’s recovery, and a boy’s emergence to manhood

Nominee, Governor General's Literary Award for Drama Dry Lips Oughta Move to Kapuskasing tells another story of the mythical Wasaychigan Hill Indian Reserve, also the setting for Tomson Highway's award winning play The Rez Sisters. Wherein The Rez Sisters the focus was on seven "Wasy" women and the game of bingo, Dry Lips Oughta Move to Kapuskasing features seven "Wasy" men and the game of hockey. It is a fast-paced story of tragedy, comedy, and hope.

"Elements of Indigenous Style provides guidelines to help writers, editors, and publishers produce material that reflects Indigenous people in an appropriate and respectful manner.” -- Provided by publisher.
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In this carefully curated selection of everyday reflections, Richard Wagamese finds lessons in both the mundane and sublime as he muses on the universe, drawing inspiration from working in the bush--sawing and cutting and stacking wood for winter as well as the smudge ceremony to bring him closer to the Creator. Embers is perhaps Richard Wagamese's most personal volume to date. Honest, evocative and articulate, he explores the various manifestations of grief, joy, recovery, beauty, gratitude, physicality and spirituality--concepts many find hard to express.

This poignant and powerful collection of short stories provides revealing glimpses into the life experiences of an Aboriginal woman, a university professor, an activist and a single mother. With lyrical eloquence, Lee Maracle takes the reader on a deeply stirring and emotional journey that is at times humorous and heart-wrenching but not soon to be forgotten.

Hummingbirds have long been a symbol of wisdom and courage. In this charming story, a hummingbird makes a valiant effort to put out a raging fire that threatens her forest home -trip after trip, her beak is filled each time with just a drop of water. Her efforts show her woodland companions that doing something -- anything -- is better than doing nothing at all. The hummingbird parable, which originates with the Quechuan people of South America, has become a talisman for environmentalists and activists worldwide committed to making meaningful change. This retelling, enlivened by Michael Nicoll Yahgulanaas' fabulous Haida-manga illustrations, is suitable for all ages of would-be activists.

Richard Wagamese stares the modern world in the eye and takes careful note of its snares and perils. He sees people coveting without knowing why, people looking for roots without understanding what might constitute rootedness, people looking for acceptance without offering reciprocal respect, and people longing for love without knowing how to offer it. And underneath all lurks the seductive oblivion of substance abuse. These are the pitfalls of his own life, dangers he hopes his estranged son, Joshua, will be able to navigate with the guidance afforded by this heartfelt memoir.

A passionate and provocative collection of poetry, Glass Tepee finds its roots in the experiences and traditions of Canada's first peoples. Some pieces draw on the landscape, philosophy and culture of the Secwepemc (Shuswap) territory and original inhabitants, while others comment on Aboriginal reserve politics and the complicated realities experienced by Natives in urban centres.
Critical and compassionate, Gottfriedson's imagination is infused with a contemporary political and cultural awareness that is disarming and unpretentious.

In Richard Van Camp's fictionalized north anything can happen and yet each story is rooted in a vivid contemporary reality. The stories offer a potent mix of tropes from science fiction, horror, Western and Aboriginal traditions. The title story pits Torchy against Smith Squad, fighting for love and family in a bloody, cathartic, and ultimately hopeful narrative. Van Camp's characters repeatedly confront the bleakness of sexual assault, substance addiction and violence with the joy and humour of inspired storytelling.

Welcome to the town of Blossom—part myth, part hilariously off-kilter reality. Green Grass, Running Water is the story of five Blackfoot Indians whose existences connect in ways that are at once coincidental, comical and cosmic. This is a rich tale, weaving magical humour, revisionist history, nostalgia and myth into one bright whole.
Green Grass, Running Water’s timeless appeal has kept it flying off bookstore shelves since it was published in 1993.

Heart Berries is a powerful, poetic memoir of a woman's coming of age on the Seabird Island Band in the Pacific Northwest. Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of post traumatic stress disorder and bipolar II disorder; Terese Marie Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father-an abusive drunk and a brilliant artist-who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame.

When Lucas Smoke learns the Ojibway art of carving from his grandfather, he proves to be a natural. He can literally make people come to life in wood. Then Lucas's growing reputation attracts a mysterious stranger, who offers him a large advance to carve a spirit mask. This mask is to represent the master, but Lucas must find its face in his dreams. As his dreams become more and more disturbing, he feels himself changing. And the mask takes control of his life. Then a chance encounter with an old woman introduces him to the identity of the master. He is an ancient sorcerer named Him Standing, a powerful and dark wizard. The more Lucas works on the mask, the closer Him Standing comes to emerging from the dream world to walk the earth again. What follows is a race against time and the forces of evil in this supernatural thriller.

An Honest Woman explores the many ways the female body is shaped by questions that have been too political to ask: What happens when a woman decides to take her sexuality into her own hands, dismissing cultural norms and the expectations of her parents? How is a young woman's sexuality influenced when she is perceived as an "exotic" other? Can a woman reconnect with her Indigenous community by choosing Indigenous lovers? Daring and tender in their honesty and wisdom, these poems challenge the perception of women's bodies as glamorous and marketable commodities and imagine an embodied female experience that accommodates the role of creativity and a nurturing relationship with the land.

I Am Woman represents my personal struggle with womanhood, culture, traditional spiritual beliefs and political sovereignty, written during a time when that struggle was not over. My original intention was to empower Native women to take to heart their own personal struggle for Native feminist being.

"Imagine Mercy" is a vibrant poetry collection portraying the daily realities of living as an Aboriginal in Canada. David Groulx seamlessly weaves the spiritual with the ordinary and the present with the past. He speaks for the strength and courage of Aboriginal people, compelling readers to confront reality with his honest and inspiring vision. Remarkable in its candour and gracefully constructed, this collection of poems binds us to the present and, at the same time, connects us to the voices of the past.

The Inconvenient Indian is a critical and personal meditation that the remarkable Thomas King has conducted about what it means to be “Indian” in North America. Rich with dark and light, pain and magic, this book distills the insights gleaned from that meditation, weaving the curiously circular tale of the relationship between non-Natives and Natives in the centuries since the two first encountered each other. In the process, King refashions old stories about historical events and figures, takes a sideways look at film and pop culture, relates his own complex experiences with activism, and articulates a deep and revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.

With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he's sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement.

Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life.

The two stories, "When We Play Our Drums, They Sing!" and "Lucy and Lola", that comprise thisbook take a measured approach to teaching readers about the history of residential schools and the ongoing legacy of pain they caused, but employ very different tones in their telling. - Quill & Quire

When Garnet Raven was three years old, he was taken from his home on an Ojibway Indian reserve and placed in a series of foster homes. Having reached his mid-teens, he escapes at the first available opportunity, only to find himself cast adrift on the streets of the big city. Having skirted the urban underbelly once too often by age 20, he finds himself thrown in jail. While there, he gets a surprise letter from his long-forgotten native family. The sudden communication from his past spurs him to return to the reserve following his release from jail. Deciding to stay awhile, his life is changed completely as he comes to discover his sense of place, and of self. While on the reserve, Garnet is initiated into the ways of the Ojibway -- both ancient and modern -- by Keeper, a friend of his grandfather, and last fount of history about his people's ways.

A Knock on the Door, published in collaboration with the National Research Centre for Truth & Reconciliation, gathers material from the several reports the TRC has produced to present the essential history and legacy of residential schools in a concise and accessible package that includes new materials to help inform and contextualize the journey to reconciliation that Canadians are now embarked upon.Survivor and former National Chief of the Assembly First Nations, Phil Fontaine, provides a Foreword, and an Afterword introduces the holdings and opportunities of the National Centre for Truth & Reconciliation, home to the archive of recordings, and documents collected by the TRC.

A fictionalized, meditative chronicle of life among the Innu in rural northeastern Quebec. Kuessipan ("to you" in the Innu language) is an extraordinary, meditative novel about life among the Native Innu people in the wilds of northeastern Quebec. Naomi Fontaine, herself an Innu, wrote this novel (in French) at the age of twenty-three; with grace and perfect pitch, she depicts a community of nomadic hunters and fishers, and of hard-working mothers and their children, enduring a harsh, sometimes cruel reality with quiet dignity. Pervading the book is a palpable sense of place and time played out as a series of moments: elders who watch their kin grow up before their eyes; couples engaged in domestic crises, and young people undone by alcohol; caribou-skin drums that bring residents to their feet.

In this powerful and often very funny first novel, Richard Van Camp gives us one of the most original teenage characters in fiction. Skinny as spaghetti, nervy and self-deprecating, Larry is an appealing mixture of bravado and vulnerability. His past holds many terrors: an abusive father, blackouts from sniffing gasoline, an accident that killed several of his cousins. But through his friendship with Johnny, he's ready now to face his memories--and his future. Marking the debut of an exciting new writer, The Lesser Blessed is an eye-opening depiction of what it is to be a young Native man.

Life Among the Qallunaat is the story of Mini Aodla Freeman's experiences growing up in the Inuit communities of James Bay and her journey in the 1950s from her home to the strange land and stranger customs of the Qallunaat, those living south of the Arctic. Her extraordinary story, sometimes humourous and sometimes heartbreaking, illustrates an Inuit woman's movement between worlds and ways of understanding. It also provides a clear-eyed record of the changes that swept through Inuit communities in the 1940s and 1950s.

When Will returns to Medicine River, he thinks he is simply attending his mother's funeral. He doesn't count on Harlen Bigbear and his unique brand of community planning. Harlen tries to sell Will on the idea of returning to Medicine River to open shop as the town's only Native photographer. Somehow, that's exactly what happens. Through Will's gentle and humorous narrative, we come to know Medicine River, a small Albertan town bordering a Blackfoot reserve. And we meet its people: the basketball team; Louise Heavyman and her daughter, South Wing; Martha Oldcrow, the marriage doctor; Joe Bigbear, Harlen's world-travelling, storytelling brother; Bertha Morley, who has a short fling with a Calgary dating service; and David Plume, who went to Wounded Knee.

After the publication of his critically acclaimed 2011 book Drink the Bitter Root: A Writer's Search for Justice and Healing in Africa, author Gary Geddes turned the investigative lens on his own country, embarking on a long and difficult journey across Canada to interview Indigenous elders willing to share their experiences of segregated health care, including their treatment in the "Indian hospitals" that existed from coast to coast for over half a century. The memories recounted by these survivors--from gratuitous drug and surgical experiments to electroshock treatments intended to destroy the memory of sexual abuse--are truly harrowing, and will surely shatter any lingering illusions about the virtues or good intentions of our colonial past.

Franklin Starlight is called to visit his father, Eldon. He's sixteen years old and has had the most fleeting of relationships with the man. The rare moments they've shared haunt and trouble Frank, but he answers the call, a son's duty to a father. He finds Eldon decimated after years of drinking, dying of liver failure in a small town flophouse. Eldon asks his son to take him into the mountains, so he may be buried in the traditional Ojibway manner.
What ensues is a journey through the rugged and beautiful backcountry, and a journey into the past, as the two men push forward to Eldon's end.

Memory Serves gathers together the oratories award-winning author Lee Maracle has delivered and performed over a twenty-year period. Revised for publication, the lectures hold the features and style of oratory intrinsic to the Salish people in general and the Sto: lo in particular. From her Coast Salish perspective and with great eloquence, Maracle shares her knowledge of Sto: lo history, memory, philosophy, law, spirituality, feminism and the colonial condition of her people.

In an urgent and visceral work that asks essential questions about the treatment of Native people in North America while drawing on intimate details of her own life and experience with intergenerational trauma, Alicia Elliott offers indispensable insight and understanding to the ongoing legacy of colonialism. What are the links between depression, colonialism and loss of language--both figurative and literal? How does white privilege operate in different contexts? How do we navigate the painful contours of mental illness in loved ones without turning them into their sickness? How does colonialism operate on the level of literary criticism?

Monkey Beach combines both joy and tragedy in a harrowing yet restrained story of grief and survival, and of a family on the edge of heartbreak. In the first English-language novel to be published by a Haisla writer, Eden Robinson offers a rich celebration of life in the Native settlement of Kitamaat, on the coast of British Columbia. Monkey Beach is beautifully written, in prose that is simple and subtle, bold and vivid, and pervaded by humour. Robinson fills her novel with details of Haisla culture and the rich wildlife surrounding Kitamaat. She uses traditional elements of storytelling -- such as dreams, and people's ties to nature -- but also demystifies Native beliefs, simultaneously peeling away and intensifying the mystery surrounding spirits.

Basil Johnston's rollicking tales about life on a modern Indian reserve put Moose Meat & Wild Rice on the map of Canadian comedy along with Stephen Leacock's Mariposa and Charlie Farquharson's Parry Sound. Moose Meat & Wild Rice is a unique book, a comic collection by a contemporary Ojibway author, who turns his talents to a mischievous (but never malicious) depiction of present-day Indians and Indian-White relations, with the gentle satire cutting both ways. Light, but nevertheless realistic, told as fiction but based in fact, the escapades undertaken by the populace of Moose Meat Point Reserve encompass havoc and hilarity, prejudice and pretence.

A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. nbsp; Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle - and turns Otter Lake completely upside down. Maggie, the Reserve's chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger's intentions, he teams up with his uncle Wayne - a master of aboriginal martial arts - to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.

Literary Nonfiction. Native American Studies. On her first book tour at the age of 26, Lee Maracle was asked a question from the audience, one she couldn't possibly answer at that moment. But she has been thinking about it ever since. As time has passed, she has been asked countless similar questions, all of them too big to answer, but not too large to contemplate. These questions, which touch upon subjects such as citizenship, segregation, labour, law, prejudice and reconciliation (to name a few), are the heart of My Conversations with Canadians.

My Home As I Remember describes literary and artistic achievements of First Nations, Inuit and Metis women across Canada and the United States, including contributions from New Zealand and Mexico. Their voices and creative expression of identity and place are richly varied, reflecting the depth of the culturally diverse energy found on these continents. Over 60 writers and visual artists are represented from nearly 25 nations, including writers such as Lee Maracle, Chrystos and Louise Bernice Halfe, and visual artists Joane Cardinal-Schubert, Teresa Marshall, Kenojuak Ashevak, Doreen Jensen and Shelley Niro; and some who are published for the first time in this landmark volume.

In 1945, Alfred Adams, a respected Haida elder and founding president of the Native Brotherhood of British Columbia (NBBC), was dying of cancer. After decades of fighting to increase the rights and recognition of First Nations people, he implored Maisie Hurley to help his people by telling others about their struggle. Hurley took his request to both heart and mind, and with $150 of her own money, started a small newspaper that would become a powerful catalyst for change: THE NATIVE VOICE.

In this collection of short humourous essays originally written for the popular media, playwright, novelist and screenwriter Drew Hayden Taylor sends his readers fascinating and exotic postcards from his globetrotting adventures, always on the lookout for the NEWS about aboriginal peoples around the world. Organized around the thematics suggested by the four cardinal directions central to the Ojibwa peoples-East for beginnings and youth; South for journeys both physical and spiritual; West for maturity and responsibility; and North for contemplation and wisdom; these communiques are sent not so much to instruct as they are to delight.

Cree Thunderboy wants nothing less than to be the next great blues man. But, playing to tiny audiences in shabby rooms like Shelly's Crab Shack, his career is stalled. Then at the race track he meets Win Hardy, a seemingly charming rogue who spots Cree's knack for picking winning horses. He offers to record his first CD and send him on tour, as long as Cree can keep coming up with the hot tips at the track. Things are looking good for Cree until he discovers Win's connections to the mob and his violent response to anything that doesn't go his way. And when things inevitably go bad, Cree discovers that in life and in gambling there is never really the next sure thing.

As a window into the magic and medicine of the Northwest Territories, Richard Van Camp's fourth short story collection is hilarious and heartbreaking. A teenaged boy confesses to a vicious assault on a cross-dressing classmate; Lance tells the sensual story of becoming much closer to his wife's dear friend Juanita; while a reluctant giant catches up with gangsters Torchy and Sfen in a story with shades of supernatural and earthly menace. Night Moves continues to explore the incredible lives of indigenous characters introduced in The Lesser Blessed, Angel Wing Splash Pattern, The Moon of Letting Go, and Godless but Loyal to Heaven. If this is your first time to Fort Simmer and Fort Smith, welcome. If it's another visit--come on in: we've left the lights on for you.

In Nobody Cries At Bingo, the narrator, Dawn, invites the reader to witness first hand Dumont family life on the Okanese First Nation. Beyond the sterotypes and clichés of Rez dogs, drinking, and bingos, the story of a girl who loved to read begins to unfold. It is her hopes, dreams, and indomitable humour that lay bear the beauty and love within her family. It is her unerring eye that reveals the great bond of family expressed in the actions and affections of her sisters, aunties, uncles, brothers, cousins, nieces, nephews, and ultimately her ancestors. It's all here - life on the Rez in rich technicolour - as Dawn emerges from home life, through school life, and into the promise of a great future. Nobody Cries At Bingo is a book that embraces cultural differences and does it with the great traditional medicine of laughter.

For Katherena Vermette, Winnipeg's North End is a neighbourhood of colourful birds, stately elms, and always wily rivers. It is where a brother's disappearance is trivialized by local media and police because he is young and aboriginal. It is also where young girls share secrets, movies, cigarettes, Big Gulps and stories of love -- where a young mother full of both maternal trepidation and joy watches her small daughters as they play in the park.

"The short pieces in One Story, One Song remind us of human beingsï?? place in the world: We are a part of it, not masters of it. And by sharing our stories we share ourselves. By listening to othersï?? stories, we share their lives and perhaps gain connections. One Story, One Song is all about connections, something we all need." --Globe and Mail In One Story, One Song, Richard Wagamese invites readers to accompany him on his travels. His focus is on stories: how they shape us, how they empower us, how they change our lives. Ancient and contemporary, cultural and spiritual, funny and sad, the tales are grouped according to the four Ojibway storytelling principles: balance, harmony, knowledge and intuition.

This dissertation is about the history of my people, the Secwépemc. I treat the concept of history here as more than a chronological ordering of events in the lives of our people; my purpose is to construe the sense of history, or historical consciousness, of my people as it emerged during the last 10,000 years.

In 1884, the Canadian government enacted a ban on the potlatch, the foundational ceremony of the Haida people. The tradition, which determined social structure, transmitted cultural knowledge, and redistributed wealth, was seen as a cultural impediment to the government's aim of assimilation. The tradition did not die, however; the knowledge of the ceremony was kept alive by the Elders through other events until the ban was lifted. In 1969, a potlatch was held. The occasion: the raising of a totem pole carved by Robert Davidson, the first the community had seen in close to 80 years.

Price Paid: The Fight for First Nations Survival untangles truth from some of the myths about First Nations at the same time that it addresses misconceptions still widely believed today. The second book by award-winning author Bev Sellars, Price Paid is based on a popular presentation Sellars created for treaty-makers, politicians, policymakers, and educators when she discovered they did not know the historic reasons they were at the table negotiating First Nations rights. The book begins with glimpses of foods, medicines, and cultural practices North America's indigenous peoples have contributed for worldwide benefit. It documents the dark period of regulation by racist laws during the twentieth century, and then discusses new emergence in the twenty-first century into a re-establishment of Indigenous land and resource rights.

My life as a Kane was lit in the Indigos, Aquamarines and Magentas of a home built on quiet faith and prayer.nbsp;nbsp;But Johnny changed all that.nbsp;nbsp;Where I had stood transfixed by the gloss on the surface of living, he called me forward from the pages of the books, away from the blinders that faith can surreptitiously place upon your eyes and out into a world populated by those who live their lives in the shadow of necessary fictions.

Four chronically homeless people-Amelia One Sky, Timber, Double Dick and Digger-seek refuge in a warm movie theatre when a severe Arctic Front descends on the city. During what is supposed to be a one-time event, this temporary refuge transfixes them. They fall in love with this new world, and once the weather clears, continue their trips to the cinema. On one of these outings they meet Granite, a jaded and lonely journalist who has turned his back on writing the same story over and over again in favour of the escapist qualities of film, and an unlikely friendship is struck.

Marilyn Dumont's Metis heritage offers her challenges that few of us welcome. She mocks, with exasperation and sly humour, the banal exploitation of Indianness ("there it is again, the circle, that goddamned circle, as if we thought in circles, judged things on the merit of their circularity, as if all we ate was bologna and bannock and lived in teepees"); more-Indian-than-thou oneupmanship ("So, I'm having coffee with this treaty guy from up north ... I say I'm Metis like it's an apology and he says, 'mmh,' like he forgives me, like he's got a big heart and mine's pumping diluted blood"); and white condescension and ignorance ("The White Judges"). She celebrates the person, clearly observing, who defines her own life.

He is a Sundancer, an academic, a former rapper, a hereditary chief, and an urban activist. His father, Tobasonakwut, was both a beloved traditional chief and a respected elected leader who engaged directly with Ottawa. Internally divided, his father embraced both traditional native religion and Catholicism, the religion that was inculcated into him at the residential school where he was physically and sexually abused. In a grand gesture of reconciliation, Kinew's father invited the Roman Catholic bishop of Winnipeg to a Sundance ceremony in which he adopted him as his brother. Kinew writes affectingly of his own struggles in his twenties to find the right path, eventually giving up a self-destructive lifestyle to passionately pursue music and martial arts.

Referencing a classic Haida oral narrative, this spectacular full-color graphic novel blends traditional Haida imagery with Japanese manga to tell the powerful story of Red, an orphaned leader so blinded by revenge that he leads his community to the brink of war and destruction. When raiders attack his village, young Red escapes dramatically. But his sister Jaada is whisked away. The loss of Jaada breeds a seething anger, and Red sets out to find his sister and exact revenge.

A young First Nations man sets out from his Muskoka home in a quest for redemption after a terrible fire. In the early 1930s, Oscar Wolf, a 13-year-old Native from the Chippewas of Rama Indian Reserve, sets fire to the business section of his village north of Toronto in a fit of misguided rage against white society, inadvertently killing his grandfather and a young maid. Tortured by guilt and fearful of divine retribution, Oscar sets out on a lifetime quest for redemption. His journey takes him to California where he works as a fruit picker and prizefighter during the Great Depression, to the Second World War where he becomes a decorated soldier, to university where he excels as a student and athlete, and to the diplomatic service in the postwar era where he causes a stir at the United Nations in New York and in Colombia and Australia.

This debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations. Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into "black files" and "red files." In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral.

Cherie Dimaline told us this book should be classified as R. Wait, that is for movies . . . Oh, same thing . . . Language, themes, violence, sex and portrayal of drug use may be offensive to some readers. Reader discretion is advised. What is all the ruckus about? Naomi, a Native chambermaid in a busy downtown hotel, amuses herself by imagining the past, present and future lives of five hotel guests, whom she observed in passing, in the hotel lobby and through relics left in their rooms. Struck by their remains, their footprints and their clues, Naomi patches them together to weave tales of infatuation, love, infidelity, illness, death and family.

Canada's residential school system for aboriginal young people is now recognized as a grievous historic wrong committed against First Nations, Metis, and Inuit peoples. This book documents this subject in a format that will give all young people access to this painful part of Canadian history.

The Right to Be Cold is a human story of resilience, commitment, and survival told from the unique vantage point of an Inuk woman who, in spite of many obstacles, rose from humble beginnings in the Arctic community of Kuujjuaq, Quebec—where she was raised by a single parent and grandmother and travelled by dog team in a traditional, ice-based Inuit hunting culture—to become one of the most influential and decorated environmental, cultural, and human rights advocates in the world.

Governor General's Award-winning Métis poet and acclaimed novelist Katherena Vermette's second work of poetry, river woman, examines and celebrates love as postcolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of our preconceptions of historical time, while never losing a connection to history. This is what we mean when we describe a work of art as being "timeless." Like the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost.

Having developed an impressive reputation for his many novels and non-fiction works, Richard Wagamese now presents a collection of stunning poems ranging over a broad landscape. He begins with an immersion in the unforgettable world where "the ancient ones stand at your shoulder . . . making you a circle / containing everything."These are Medicine teachings told from the experience of one who lived and still lives them. He also describes his life on the road when he repeatedly ran away at an early age, and the beatings he received when the authorities tried "to beat the Indian right out of me."

Sanaaq is an intimate story of an Inuit family negotiating the changes brought into their community by the coming of the qallunaat, the white people, in the mid-nineteenth century. Composed in 48 episodes, it recounts the daily life of Sanaaq, a strong and outspoken young widow, her daughter Qumaq, and their small semi-nomadic community in northern Quebec.
Here the spirit world is alive and relations with non-humans are never taken lightly. And under it all, the growing intrusion of the qallunaat and the battle for souls between the Catholic and Anglican missionaries threatens to forever change the way of life of Sanaaq and her young family.

In March 2010 the Canadian Literature Centre hosted award-winning novelist and storyteller Eden Robinson at the 4th annual Henry Kreisel Lecture. Robinson shared an intimate look into the intricacies of family, culture, and place through her talk, "The Sasquatch at Home." Robinson's disarming honesty and wry irony shine through her depictions of her and her mother's trip to Graceland, the Potlatch where she and her sister received their Indian names, how her parents first met in Bella Bella (Waglisla, British Columbia) and a wilderness outing where she and her father try to get a look at b'gwus, the Sasquatch. Readers of memoir; Indigenous literatures, histories and cultures; and fans of Robinson's delightful, poignant, sometimes quirky tales will love The Sasquatch at Home.

Secwpemc People, Land, and Laws is a journey through the 10,000-year history of the Interior Plateau nation in British Columbia. Told through the lens of past and present Indigenous storytellers, this volume detail how a homeland has shaped Secwepemc existence while the Secwepemc have in turn shaped their homeland. Marianne Ignace and Ronald Ignace, with contributions from ethnobotanist Nancy Turner, archaeologist Mike Rousseau, and geographer Ken Favrholdt, compellingly weave together Secwepemc narratives about ancestors' deeds. They demonstrate how these stories are the manifestation of Indigenous laws (stsq'ey') for social and moral conduct among humans and all sentient beings on the land, and for social and political relations within the nation and with outsiders. Breathing new life into stories about past transformations, the authors place these narratives in dialogue with written historical sources and knowledge from archaeology, ethnography, linguistics, earth science, and ethnobiology. In addition to a wealth of detail about Secwepemc land stewardship, the social and political order, and spiritual concepts and relations embedded in the Indigenous language, the book shows how between the mid-1800s and 1920s the Secwepemc people resisted devastating oppression and the theft of their land, and fought to retain political autonomy while tenaciously maintaining a connection with their homeland, ancestors, and laws. An exemplary work in collaboration, Secwepemc People, Land, and Laws points to the ways in which Indigenous laws and traditions can guide present and future social and political process among the Secwepemc and with settler society.

In 1966, twelve-year-old Chanie Wenjack froze to death on the railway tracks after running away from residential school. An inquest was called and four recommendations were made to prevent another tragedy. None of those recommendations were applied. More than a quarter of a century later, from 2000 to 2011, seven Indigenous high school students died in Thunder Bay, Ontario. The seven were hundreds of miles away from their families, forced to leave home and live in a foreign and unwelcoming city. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. Using a sweeping narrative focusing on the lives of the students, Tanya Talaga delves into the history of this small northern city that has come to manifest Canada’s long struggle with human rights violations against Indigenous communities.

Winner of the McNally Robinson Aboriginal Book of the Year and the Aboriginal Fiction Book of the Year--a collection of twenty short stories told in Thomas King's classic, wry, irreverent, and allegorical voice.

Journey into Shuswap country in the time of early colonization. A neighbouring Indian tribe from over the Rocky Mountains abducts a group of Shuswap women and a great tale of trouble and triumph unfolds. Based on a traditional Shuswap legend, the story is told by a captured girl—a Shuswap chief's daughter. Harold Eustache takes us back to a time in the memory of his ancestors.

Today's youth, Gottfriedson says, are "afraid of themselves." He finds that both individuals and bands end in "tangles," that they write "nonsense words in the sand" or exploit images painted on rocks, those "the postmodern Indian calls / visual poetic expression." As the collection continues, however, his love for the land emerges. He draws attention to the rape of the natural environment through clear-cut logging. He speaks of the damage caused by the pine beetle, of "forests being / eaten from the inside out." And here it is that Gottfriedson introduces the mysterious Horsechild, who is to prepare the drying racks for the returning salmon "so that beneath your skin / the mountains will be forever abundant": a prayer for us to protect the migrating salmon with their multi-year cycles, to protect the bears and eagles that feast upon them, so as to assure that the transformations will continue, that there will be abundance for both humans and the earth itself.

This combined volume features two of Lee Maracle's best loved works, Sojourner's Truth and Other Stories (1990) and Sundogs (1992), with a foreword by Native American poet Joy Harjo. Sojourner's Truth is layered with unresolved human dilemmas-daring and imaginative, crossing cultures and generations, weaving together history, fiction, and a deep personal knowledge of Native American lives. Sundogs is an intimate look at one family during the high intensity of the Mohawk Warrior Society's defiant stand at Oka.

Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu’s career, highlighting more than 120 full-colour works, including several never-before-exhibited pieces.

Drawn from the Aboriginal Healing Foundation's three-volume series Truth and Reconciliation, acclaimed veteran broadcast-journalist, CBC Radio's Shelagh Rogers joins series editors Mike DeGagne and Jonathan Dewar to present these selected reflections, in reader format, on the lived and living experiences and legacies of Residential Schools and, more broadly, reconciliation in Canada. his project is animated by a hope that debate - in the spirit of the catechesis itself - will take place in book clubs across the country, composed of people who like discussion and are energized, engaged, and jazzed by the journey of rebuilding, reconciliation, and renewal.

A girl grows up in Nunavut in the 1970s. She knows joy and love. She knows boredom and bullying. She knows the tedium of the everyday and the seductive energy of the animal world. She knows the ravages of alcohol and violence. When she becomes pregnant, she must navigate all this. Veering between the grittiest features of a small arctic town, the electrifying proximity of the animal world and the ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, real and imagined lose their meaning, but the guiding power of love remains.

In these 14 unique stories, Kateri Akiwenzie-Damm takes on complex and dangerous emotions, exploring the gamut of modern Anishinaabe experience. Through unforgettable characters, these stories--about love and lust, suicide and survival, illness and wholeness--illuminate the strange workings of the human heart.

Surviving Canada: Indigenous Peoples Celebrate 150 Years of Betrayal is a collection of elegant, thoughtful, and powerful reflections about Indigenous Peoples' complicated, and often frustrating, relationship with Canada, and how--even 150 years after Confederation--the fight for recognition of their treaty and Aboriginal rights continues.

In a career that has spanned more than a quarter century, Lee Maracle has earned the reputation as one of Canada's most ardent and celebrated writers. Talking to the Diaspora, Maracle's second book of poetry, is at once personal and profound. From the revolutionary "Where Is that Odd Dandelion-Looking-Flower" to the tender poem "Salmon Dance," from the biting "Language" to the elegiac "Boy in the Archives," these poems embody the fearless passion and spirited wit for which Lee Maracle is beloved and revered.

There There is a wondrous and shattering portrait of an America few of us have ever seen. It’s “masterful . . . white-hot . . . devastating” (The Washington Post) at the same time as it is fierce, funny, suspenseful, thoroughly modern, and impossible to put down. Here is a voice we have never heard—a voice full of poetry and rage, exploding onto the page with urgency and force. Tommy Orange has written a stunning novel that grapples with a complex and painful history, with an inheritance of beauty and profound spirituality, and with a plague of addiction, abuse, and suicide. This is the book that everyone is talking about right now, and it’s destined to be a classic.

In this frank and poignant memoir of her years at St. Joseph's Mission, Sellars breaks her silence about the residential school's lasting effects on her and her family-from substance abuse to suicide attempts-and eloquently articulates her own path to healing. Number One comes at a time of recognition-by governments and society at large-that only through knowing the truth about these past injustices can we begin to redress them."

Tilly has always known she's part Lakota on her dad's side. She's grown up with the traditional teachings of her grandma, relishing the life lessons of her beloved mentor. But it isn't until an angry man shouts something on the street that Tilly realizes her mom is Aboriginal too--a Cree woman taken from her own parents as a baby. Tilly feels her mother's pain deeply. She's always had trouble fitting in at school, and when her grandma dies unexpectedly, her anchor is gone. Then Abby, a grade-seven classmate, invites her home for lunch and offers her "something special" to drink. From then on, partying seems to offer an escape from her insecurities. But after one dangerously drunken evening, Tilly knows she has to change.

From Canada's internationally acclaimed "Generation X laureate" (The New York Times) come four unforgettable stories told with icy clarity and great heart. This is a world in which fast food, banged-up cars and the grunge of modern adolescence barely camouflage the dark extremes of sex, fear and desire -- and the longing for love.

Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America.

With a plethora of superb reviews and upcoming publication in the US, Thomas King's work affirms him as one of our wittiest and wisest writers. Truth & Bright Water is the tale of two young cousins and one long summer. Tecumseh and Lum live in Truth, a small American town, and Bright Water, the reserve across the border and over the river. Family is the only reason most of the people stay in the towns, and yet old secrets and new mysteries keep pulling the more nomadic residents back to the fold. Monroe Swimmer, famous Indian artist, returns to live in the old church with the hope of painting it into the prairie landscape and re-establishing the buffalo population.

The cop who blew the whistle on Saskatoon’s notorious “Starlight Tours,” Ernie Louttit is the bestselling author of two previous “Indian Ernie” books. He demonstrates in this latest title that being a leader means sticking to your convictions and sometimes standing up to the powers that be. One of the first Indigenous officers hired by the Saskatoon Police, he was an outsider who became an insider, with a difference. A former military man with a passion for the law, he was tough on the beat, but was also a role model for kids on the streets.

As the son of George Manuel, who served as president of the National Indian Brotherhood and founded the World Council of Indigenous Peoples in the 1970s, Arthur Manuel was born into the struggle. From his unique and personal perspective, as a Secwepemc leader and an Indigenous activist who has played a prominent role on the international stage, Arthur Manuel describes the victories and failures, the hopes and the fears of a generation of activists fighting for Aboriginal title and rights in Canada. Unsettling Canada chronicles the modern struggle for Indigenous rights covering fifty years of struggle over a wide range of historical, national, and recent international breakthroughs.

An important work that collects and preserves stories whose value will never diminish. Kirkus Reviews Wawahte is one of the few books that I would strongly recommend to anyone who needs to understand Aboriginal issues in Canada. This book should be part of our school curricula. Dave Loftus For all the people who read this book may they be forever enlightened. By shining the light on a dark part of our past we have a chance to create a bright new day for aboriginals and all Canadians. We will all know what happened and then come to realize that what happens now and our vision for a future together is what really counts. Together we will stand for what is right and the intention of Indian residential schools and colonization will not happen again With Deep Respect, Dr. Chief Robert Joseph, Executive Director...

Eloquent, poignant and witty, Garry Gottfriedson's new collection of poetry, Whiskey Bullets, approaches an old genre with a new flare that will challenge your expectations of cowboy poetry. This edgy collection explores themes of duality that exist in the parallel worlds of cowboys and Indians.Often satirical, Whiskey Bullets is a testament to adaptability, turning tragedy into humour and pain into passion. It speaks to the unique experience of growing up aboriginal, on the Tk'emlupsReserve (Secwepemc) near Kamloops, with strong First Nation values and traditions, while at the same time immersed in the cowboy and ranching culture of the interior of BC.

Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together?

Witness, I Am is divided into three gripping sections of new poetry from one of Canada's most recognized poets. The first part of the book, "Dangerous Sound," contains contemporary themed poems about identity and belonging, undone and rendered into modern sound poetry. "Muskrat Woman," the middle part of the book, is a breathtaking epic poem that considers the issue of missing and murdered indigenous women through the reimagining and retelling of a sacred Cree creation story. The final section of the book, "Ghost Dance," raids the autobiographical so often found in Scofield's poetry, weaving the personal and universal into a tapestry of sharp poetic luminosity.

Xwelíqwiya is the life story of Rena Point Bolton, a Stó:lo (or, as they are now called, Xwélmexw) matriarch. Proceeding by way of conversational vignettes, the beginning chapters recount Point Bolton's early years on the banks of the Fraser River during the Depression. While at the time the Stó:lo, or Xwélmexw, kept secret their ways of life to avoid persecution by the Canadian government, Point Bolton's mother and grandmother schooled her in the skills needed for living from what the land provides. Point Bolton was taken to a residential school for the next several years and would go on to marry and raise ten children, but her childhood training ultimately set the stage for her roles as a teacher and activist.

The Instant New York Times Bestseller Shortlisted for the Carnegie Medal for Excellence in Nonfiction A searing, deeply moving memoir about family, love, loss, and forgiveness from the critically acclaimed, bestselling National Book Award-winning author of The Absolutely True Diary of a Part-Time Indian. Family relationships are never simple. But Sherman Alexie's bond with his mother Lillian was more complex than most. She plunged her family into chaos with a drinking habit, but shed her addiction when it was on the brink of costing her everything. She survived a violent past, but created an elaborate facade to hide the truth.