Suicidality Research

This collection of essays is devoted to last letters : letters sent - or not - to sever a relationship, to mark the end of a phase in one's life, or letters written by people about to be executed or commit suicide just before their deaths. Conversely, some of the letters analysed are fictional, and still other forms of texts, such as poems, are considered ultimate messages by the authors of the articles. By focussing on various forms of last letters, the contributors aim to define the influence of the epistolary context on endings and to provide an original approach to closure.

Intimacy is the story of an unnamed narrator ruminating on suicide. He reflects on the origins and significance of his material possessions, and on the seemingly inconsequential moments in his life, while he prepares to carry out his plans. In this melancholy novel about a man on the brink of suicide, Stanley Crawford allows readers to question what it really means to be close to a person. Intimacy follows an unnamed narrator planning his own death. His preparations become a trigger and occasion for him to revisit key moments in his life and his material possessions, which are the solid artifacts from his life's journey.   As sparrows in flight might form a single arrow, the life of the narrator comes into focus as a collage of fleeting events and images. Readers gain insights into tiny moments that slowly build into a picture of a man who seems to have very little, aside from material possessions, to lose.   The narrative pulls the reader along a trail of digressions--about running shoes, about the symbolism of rings--that lead down a proverbial rabbit hole until we realize the narrator's intentions. Despite our lack of concrete knowledge about the narrator's life, he allows us to share his thought processes: how every thought leads to the next, how memories seep upward when he picks up a particular T-shirt, or when he glimpses his car keys. And alongside our growing understanding of the narrator comes a recognition of our own thought processes: how we, like him, relate to our bodies; how we, too, cannot break away from the constant motion of our thoughts.   Intimacy is a brief, intense novel charged with the heightened sense of closeness that comes from watching a man's last hours. It illuminates how brief snapshots of memory can trace the outline of an entire life.

Ten-year-old Jennifer Day lives in a small mining town full of secrets. Trying to make sense of the sudden death of her teenage sister Beth, she looks to the adult world around her for answers. As she recounts the final months of Beth's life, Jennifer sifts through the lies and the truth, but what she finds are mysteries, miracles and more questions. Was Beth's death an accident? Why couldn't Jennifer - or anyone else - save her? Through Jennifer's eyes, we see one girl's failure to cross the threshold into adulthood. We see a family slowly falling apart. In this award-winning novel, Karen Foxlee captures perfectly the essence of growing up in a small town and the complexities and absurdities of family life.

Daniel's Crazy about Mac. She's smart, funny, loyal and fiercely independent. The only problem is, when life gets too hard for Mac, she runs away. But she always comes back. Except now Mac's grandmother is dead, their house is about to be torn down, and she's been humiliated in front of the entire school. When Daniel finds out Mac has been saying goodbye to her friends, she realizes she's planning on leaving for good. But can he find Mac before he loses her forever?

Fyodor Dostoevsky, Walker Percy, and the Age of Suicide is a study of the phenomenon of suicide in modern and post-modern society as represented in the major fictional works of Fyodor Dostoevsky and Walker Percy. In his study, suicide is understood in both a literal and spiritual sense as referring to both the actual suicides in their works and to the broader social malaise of spiritual suicide, or despair. In the 19th century Dostoevsky called suicide "the terrible question of our age". For his part, Percy understood 20th century Western culture as "suicidal" in both its social, political and military behavior and in the deeper sense that its citizenry had suffered an ontological "loss of self" or "deformation" of being. Likewise, Thomas Merton called the 20th century an "age of suicide". John Desmond examines the cultural ethos of suicide as it is developed in eleven major works of fiction--Dostoevsky's Notes from Underground, Crime and Punishment, The Idiot, Demons and The Brothers Karamazov; and Percy's The Moviegoer, The Last Gentleman, Love in the Ruins, Lancelot, The Second Coming and The Thanatos Syndrome. His study is analogical and progressive in that it demonstrates how Percy "furthered" Dostoevsky's prophetic insights and intuitions about suicide as they evolved in modern Western culture. It reveals how the spiritual, moral and ideological conditions that Dostoevsky analyzed in the latter 19th century came to prophetic--and dire--fulfillment in the 20th century, as Percy observed. The study develops its argument through a close analysis of themes, characters, actions and images that reveal both correspondence between and development from Dostoevsky to Percy. In the Epilogue, Desmond offers a Christian counter-vision to the suicidal ethos of the age.

A study in how a poet's corpus is remembered after he vanishes. Weldon Kees is one of those fascinating people of whom you've likely never heard. Most intriguingly, he disappeared without a trace on July 18, 1955. Police found his 1954 Plymouth Savoy abandoned on the north side of the Golden Gate Bridge one day later. The keys were still in the ignition. Though Kees had alluded days prior to picking up and moving to Mexico, none of his poetry, art, or criticism has since surfaced either north or south of the Rio Grande. Kees's vanishing has led critics to compare him to another American modernist poet who met a similar end two decades prior--Hart Crane. In comparison to Crane, Kees is certainly now a more obscure figure. John T. Irwin, however, is not content to allow Kees to fall out of the twentieth-century literary canon. In The Poetry of Weldon Kees, Irwin ties together elements of biography and literary criticism, spurring renewed interest in Kees as both an individual and as a poet. Irwin acts the part of literary detective, following clues left behind by the poet to make sense of Kees's fascination with death, disappearance, and the lasting interpretation of an artist's work. Arguing that Kees's apparent suicide was a carefully plotted final aesthetic act, Irwin uses the poet's disappearance as a lens through which to detect and interpret the structures, motifs, and images throughout his poems--as the author intended. The first rigorous literary engagement with Weldon Kees's poetry, this book is an astonishing reassessment of one of the twentieth century's most gifted writers.